24.08.2025

Supertramp – The Logical Song

The Logical Song is een geweldig nummer van de Engelse groep Supertramp, dat komt van hun album Breakfast in America uit 1979. Ze spelen het hier tijdens een concert in Parijs in hetzelfde jaar. Roger Hodgson schreef het over zijn ervaringen op kostscholen waar hij 10 jaar doorbracht. Eerst op Woodcote House School in Windlesham, Surrey en daarna op Stowe School in Buckinghamshire.

Hij zei er zelf het volgende over: “The Logical Song was born from my questions about what really matters in life. Throughout childhood we are taught all these ways to be and yet we are rarely told anything about our true self. We are taught how to function outwardly, but not guided to who we are inwardly. We go from the innocence and wonder of childhood to the confusion of adolescence that often ends in the cynicism and disillusionment of adulthood. In The Logical Song, the burning question that came down to its rawest place was “please tell me who I am?”, and that’s basically what the song is about. I think this eternal question continues to hit such a deep chord in people around the world and why it stays so meaningful.”

The Logical Song
When I was young,
it seemed that life was so wonderful.
A miracle, oh,
it was beautiful, magical.
And all the birds in the trees,
well they’d be singing so happily,
oh joyfully, oh playfully
watching me.

But then they sent me away,
to teach me how to be sensible,
logical, oh responsible, practical.
And then they showed me a world,
where I could be so dependable,
oh clinical, oh intellectual, cynical.

There are times
when all the world’s asleep.
The questions run too deep.
For such a simple man.
Won’t you please,
please tell me what we’ve learned?
I know it sounds absurd,
but please tell me who I am?

I said, watch what you say,
they’ll be calling you a radical.
A liberal, oh fanatical, criminal.
Won’t you sign up your name?
We’d like to feel you’re acceptable,
respectable, oh representable,
a vegetable.

But at night,
when all the world’s asleep.
The questions run so deep.
For such a simple man.
Won’t you please,
(Oh won’t you tell me.)
please tell me what we’ve learned.
(Can you hear me?)
I know it sounds absurd.
(Oh won’t you tell me.)
Please tell me who I am?
Who I am? Who I am?

‘Cause I was feeling so logical.
D-D-D-D-D-D-D-Digital.
Oh it’s getting unbelievable.
Bloody marvelous.

10.08.2025

Sara Bareilles & Rufus Wainwright – She Used To Be Mine

Voor mij zijn de Canadese singer/songwriter Rufus Wainwright en de Amerikaanse singer/songwriter Sara Bareilles de allerbeste zangers van dit moment. Dat betekent niet persé dat ze de allerbeste muziek maken, maar qua zangstem zijn ze onovertroffen.

Dus wat een schitterende vondst als ik een duet van ze ontdek, het lied She Used To Be Mine dat geschreven werd door Bareilles voor de musical Waitress uit 2015, waarvan ze de muziek & teksten schreef van de songs. Ze brengen elkaar hier bij een optreden eind 2024 tot grote hoogte en dat is heel indrukwekkend & ontroerend om te zien & horen.

Sara Bareilles was al jaren fan van Rufus Wainwright en plaatste ooit een video van zichzelf in een Rufus Wainwright t-shirt op sociale media, waar hij op reageerde. Ze wisselden berichten uit met elkaar en spraken af ooit samen te werken. En zo is het gekomen.

She Used To Be Mine
Not simple to say,
that most days
I don’t recognize me.
That these shoes and this apron,
that place and it’s patrons,
have taken more
than I gave them.

Not easy to know.
I’m not anything,
like I used to be.
Although it’s true,
I was never attention’s sweet center.
Still I remember that girl.

She’s imperfect but she tries.
She is good but she lies.
She is hard on herself.
She is broken and won’t ask for help.

She is messy, but she’s kind.
She is lonely most of the time.
She is all of this mixed up,
and baked in a beautiful pie.
She is gone, but she used to be mine.

It’s not what I asked for.
Sometimes life just slips in
through a back door.
And carves out a person.
And makes you believe it’s all true.
And now I’ve got you.

And you’re not what I asked for.
If I’m honest,
I know I would give it all back
for a chance to start over.
And rewrite an ending or two.
For the girl that I knew.

Who’ll be reckless just enough.
Who’ll get hurt,
but who learns how to toughen up
when she’s bruised.
And gets used by a man
who can’t love.
And then she’ll get stuck,
and be scared.

Of the life that’s inside her.
Growing stronger each day.
‘Til it finally reminds her,
to fight just a little.
To bring back the fire in her eyes,
that’s been gone.,
But it used to be mine.
Used to be mine.

She is messy, but she’s kind.
She is lonely most of the time.
She is all of this mixed up,
and baked in a beautiful pie.
She is gone but she used to be mine.

27.07.2025

Laufey – Savior Complex

Een heel bijzondere singer/songwriter vind ik de IJslandse Laufey (Laufey Lín Bing Jónsdóttir). Haar vader is IJslands en haar moeder Chinees. Zowel haar moeder, grootmoeder als tweelingzus spelen viool. Ze leerde zelf piano spelen vanaf haar 4e en de cello vanaf haar 8e en studeerde aan de Berklee College of Music in Boston. Inmiddels heeft ze twee zeer succesvolle albums gemaakt, waarvan het laatste Bewitched vorig jaar een Grammy won in de categorie Best Traditional Pop Vocal Album.

Laufey zingt hier op haar geheel eigen wijze het lied Savior Complex, dat geschreven werd door de Amerikaanse singer/songwriter Phoebe Bridgers en komt van haar album Punisher uit 2020. Laufey wordt begeleid door zes violisten, twee cellisten & een gitarist. En het prachtige arrangement is van de Amerikaanse multi-instrumentalist, arrangeur & producer Rob Moose.

Savior Complex
Emotional affair.
Overly sincere.
Smokin’ in the car,
windows up.
Crocodile tears,
run the tap ’til it’s clear.

Drift off on the floor.
I drag you to the sheets.
Sweating through the heat.
You’re gonna drown
in your sleep.
For sure.

Wake up and start a big fire,
in our one room apartment.
But I’m too tired,
to have a pissing contest.
All the bad dreams that you hide.
Show me yours.
I’ll show you mine.

Call me when you land.
Drive around again.
One hand on the wheel.
One in your mouth.
Turn me on.
Turn me down.

Baby you’re a vampire.
You want blood and my promise.
I’m a bad liar,
with a savior complex.
All the skeletons you hide.
Show me yours.
I’ll show you mine

All the bad dreams that you hide.
Show me yours.

Tags:
13.07.2025

Madison Cunningham & Andrew Bird – Gentle On My Mind

Gentle On My Mind is een prachtig nummer van de Amerikaanse singer/songwriter John Hartford (1937-2001) uit 1967, dat vooral bekend is geworden door de versie van Glen Campbell (1936-2017) uit hetzelfde jaar. Hartford schreef het lied na het zien van de film Doctor Zhivago (1965).

Hier wordt het nummer uitstekend gezongen door de Amerikaanse singer/songwriters Madison Cunningham & Andrew Bird tijdens een opname in 2019. Ze zingen de versie van Glenn Campbell & Bobbie Gentry uit 1968.

Gentle On My Mind
It’s knowing that your door
is always open,
and your path is free to walk.
That makes me tend to leave
my sleeping bag rolled up
and stashed behind your couch.
And it’s knowing I’m not shackled
by forgotten words and bonds,
and the ink stains that are dried
upon some line.
That keeps you on the back roads
by the rivers of my memory,
that keeps you ever gentle on my mind.

It’s not clinging
to the rocks and ivy
planted on their columns now
that bind me.
Or something that somebody said,
because they thought
we fit together walking.
It’s just knowing that the world
will not be cursing or forgiving,
when I walk along some railroad track and find.
That you’re moving on the back roads
by the rivers of my memory,
and for hours you’re just gentle on my mind.

Through the wheat fields
and the clothes lines,
and the junkyards,
and the highways come between us.
And some other woman’s cryin’
to her mother,
‘cause she turned and I was gone.
I still might run in silence tears of joy
might stain my face,
and the summer sun
might burn me ’til I’m blind.
But not to where I cannot see you walkin’ on the back roads,
by the rivers flowing
gentle on my mind.

For the shutters creek and autumn winds
that makes me draw inside myself in silence.
Crosslegged now, I sit and watch
the endless chase of leaves across my yard.
And layin’ down my hairbrush
I lean back within my window seat and find.
That your moving on the backroads
by the rivers of my memory,
every smilin’, ever gentle on my mind.

Through the cupped hands ‘round the tin can,
I pretend to hold you to my breast and find.
That you’re waiting from the back roads,
by the rivers of my memories.
Ever smilin’, ever gentle on my mind.

22.06.2025

George Michael – Hand To Mouth

Ik luister graag naar de muziek van de Engelse singer/songwriter George Michael (1963-2016) en dan vooral naar zijn album Older en het unplugged concert bij MTV, beide uit 1996. Onlangs vond ik zowaar een repetitie-opname uit dat concert van zijn minder bekende lied Hand To Mouth, met weer die heerlijke wisselwerking met de achtergrondvocalisten.

Het nummer komt van zijn album Faith uit 1987 en is waarschijnlijk zijn meest politieke lied, met maatschappelijke kritiek op de politiek van Thatcher & Reagan in de jaren 80. “The song unfolds through vivid character sketches of people grappling with poverty, violence, and desperation. A vigilante man and a woman turning to prostitution serve as metaphors for systemic failures in capitalist societies. The song’s title refers to the condition of living paycheck to paycheck—surviving with no economic security. The song’s themes of economic struggle, social inequality, and the disillusionment of the marginalized remain acutely relevant decades after its release, contributing to its enduring resonance. Analyses of the song published in the 21st century often connect its lyrical content to contemporary issues of poverty and systemic injustice, demonstrating its timelessness as a social critique.”

Hand To Mouth
Jimmy Got Nothing
made himself a name.
With a gun that he polished
for a rainy day.
A smile and a quote
from a vigilante movie.,
Our boy Jimmy
just blew them all away.

He said it made him crazy.
25 years living hand to mouth.
Hand to mouth,
hand to mouth,
hand to mouth.

Sweet little baby
on a big white doorstep.
She needs her mother,
but her mother is dead.
Just another hooker
that the lucky can forget.
Just another hooker.
It happens everyday.

She loved her little baby.
But she couldn’t bear
to see her living hand to mouth.
Hand to mouth,
hand to mouth,
hand to mouth.

I believe in the gods of America.
I believe in the land of the free.
But no one told me,
that the gods believe in nothing.
So with empty hands I pray,
and I tell myself one day.
They just might see me.

Everybody talks
about the new generation.
Jump on the wagon
or they’ll leave you behind.
But no one gave a thought
to the rest of the nation.
“Like to help you buddy.
I haven’t got the time.”

Somebody shouted “save me”.
Everybody started
living hand to mouth.
Hand to mouth,
hand to mouth,
hand to mouth.

There’s a big white lady
on a big white doorstep.
She asked her daddy
and her daddy said “yes”.
Has to give a little
for the dollars that we get.
Has to give a little.
They say it’s for the best.

Somebody shouted “maybe”.
But they kept on living
from hand to mouth.
Hand to mouth,
hand to mouth,
hand to mouth.

So she ran to the arms of America,
and she kissed the powers that be.
And someone told me
that the gods believe in nothing.
So with empty hands I pray,
and I tell myself one day.
They just might see me.
They just might see me.